Zeiss Touit 12mm f/2.8 Zeiss Touit 12mm f/2.8ĭespite a lack in popularity driven by their exorbitant price at the time of their release, the Zeiss Touit lenses are actually a good match for the a6000 series. Distortion, chromatic aberration and flare are all very well controlled.Ĭheck price on B&H Photo 2. The focusing isn’t as fast or accurate as more recent lenses, but this matters less for landscape work.Īt the most important apertures for landscapes (f/5.6 to f/11), the lens is very sharp across the frame. It features a 62mm filter thread to which you can attach filters and a minimum focus distance of 25cm.
Being so small and light, it doesn’t overwhelm the compact body of the a6500 and the barrel construction is fairly solid. Its flexible wide focal range, coupled with the constant f/4 aperture, makes it a great tool for a variety of landscapes, cityscapes and architecture. E 10-18mm f/4 OSS Sony 10-18mm f/4 OSSĪt the time of writing, the only extreme wide-angle zoom with a constant aperture for the E-mount is the E 10-18mm f/4 OSS, whose focal range equates to 15-27mm in 35mm format terms. Thank you!īest a6500 Lenses for Landscapes 1.
#Bokeh lens a6500 full
To know more about our ethics, you can visit our full disclosure page. If you buy something after clicking the link, we will receive a small commission. Within the article, there are affiliate links. We were not asked to write anything about these lenses and were not provided any compensation of any kind. In this article we will concentrate on lenses with a native E-mount.Įthics statement: The following list is based upon our experience with the following E-mount lenses, many of which we’ve used for an extended period. However the performance will vary depending on the camera and adapter used.
#Bokeh lens a6500 manual
Note: When it comes to the Sony E-mount system, you’ll find a wide variety of manual focus and third-party lenses from Canon, Nikon, Sony A-mount and Sigma that you can adapt. Since the camera incorporates sensor stabilisation – a first for an APS-C model – we will be including lenses both with and without optical stabilisation. To make it as straightforward as possible, we’ve organised the lenses according to photographic genre and included both high-end and affordable options to accommodate all budgets. In this article, our aim is to clear up the confusion surrounding the choice of E-mount lenses for the Sony a6500. No matter which way you look at it, Sony APS-C users have it tougher than users of other systems! You could argue that the best solution is to use full-frame E-mount lenses designed for the Sony FE range instead, but barring a couple of exceptions, most of these lenses tend to be a) too large for an APS-C sized body, and b) very expensive. To make matters worse, there hasn’t been a new lens designed specifically for the APS-C system in over three years despite Sony having released a number of APS-C cameras in that time. The first problem is that while a handful of fast primes do exist, most lenses for the APS-C system tend to be zooms with a slow aperture range. The Sony a6500 is the most recent camera in the APS-C E-mount series, packing all the most advanced features the system has to offer such as a 24MP sensor, an advanced hybrid AF system, 5-axis sensor stabilisation, 4K video, a touch sensitive screen, a built-in EVF, and much more.Īs any E-mount user knows all too well, choosing lenses for a Sony APS-C camera like the new a6500 isn’t an easy task.
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